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'TV' turns his predilection for the ol' idiot box into a stunning and sexualized collection of character names and programs. Lyrically, he mixes metaphors and builds Babel towers, dropping a Venn Diagram of references to black culture and pop culture. If this is the Cyhi we've been promised all these years then it's about damn time.

Following last year's well-intentioned but poorly executed Black Hystori Project, this acronymically excessive sequel improbably soars. Music positioned to have a tremendous release year courtesy of Big Sean, Kanye West, and Pusha T, Cyhi's Hardway Musical remains, at best, a languishing myth.

#New yo gotti concealed free#

This is next level, new OS upgrade, game-changing music.ĭownload Mixtape | Free Mixtapes Powered by '6PM In New York' upstages Kendrick's 'Control' verse without even uttering his name. '6 God' and '10 Bands' are both just as provocative as 'Trophies' was. Even if this happens to fulfill his contract, he's hardly half-assed his way out the door. Though there are clear shots taken at CEO Birdman's experience ('Star67'), Aubrey's hardly obsessing over his boss. Conspiracy theorizing annotators have hastily mapped out that this whole record is a plot to free Drake from the Cash Money Inc. On 'Now & Forever', relative OVO newcomer Eric Dingus builds an ominous yet beauteous backdrop for self-confident mantra.

OVO's heir apparent, Partynextdoor wields both production prowess and hooky vocal chops on several cuts, including the brooding opener 'Legend' and the resplendent 'Preach,' which ought to receive single treatment. Though there's only minimal overlaps between this self-described mixtape and the sensational Soundcloud drops that preceded it, he's made the best and most consistent work of his career here.ĭespite all the braggadocio, he hasn't done it alone. And while If You're Reading This You're Too Late isn't his Yeezus, it is the logical and fruitful conclusion to this campaign of social media surprise drone attacks. Human after all, Drake has spent the last 14 months tenaciously boxing his way out of the sadsack stereotype and making a real play for the sort of unabashed cocksureness that has defined Kanye West in recent years. By the time someone like Lil Wayne takes a change and dabbles in rock music, he's already bombarded by loud whispers of how washed he is. Some young kid comes around with a hot new sound and suddenly that rapper selling out clubs six months prior can't get a track to work at radio anymore. Risk taking has been far less apparent in hip hop, especially given just how fast things move in this part of the music business. Neil Young took so many sharp lefts in the 80s that we nearly lost him. Dylan went electric, then gospel, then whatever. Artists develop in strange ways sometimes, defying the labels, narratives and assumptions affixed to them like so many Post-It Notes.